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Messages - Minorhead

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Mixoff Contests / Re: minorhead mix up!
« on: March 30, 2011, 02:32:30 PM »
This is my mix.

The low end feels a bit funny in this mix. For a start, the low frequencies of the bass guitar are rather inconsistent, and this won't be helped by the phase mismatches between the left and right channels (a side-effect of bass widening again, I imagine). However, I also think that it's got something to do with the bass tone in this mix relying a lot on its fundamental, something that puts it into direct conflict with the kick drum. As a result, the pulse ends up feeling slightly blurred, and seems to lose a definite punch somewhere along the line. (Fret squeaks are overprominent too.)

I like the snare sound, and there's no danger of it getting lost in the texture, which is great. Although some of this is undoubtedly down to the guitar EQ, the snare pops through fine even in the much more present middle sections. This is just the kind of thing I'd had in mind for the snare, although I do still wonder if it's a touch lightweight -- as indeed is the mix tonality as a whole -- in the octave around 400Hz or so. The blend also isn't as good as I'd hope, and I wonder whether you need to lean a bit more heavily on the overheads, the room mic, and the tom-mic spill. Speaking of the toms, they suffer from a problem we've had once before already -- they're hyper-wide, and that feels very odd within the context of a not-particularly-wide overheads image.

Vocals seem pretty well balanced, but I wonder again whether the low midrange power of the choruses would be better coming from the guitars than the vocals, nice though it makes the vocals sound in their own right. The thickening effects on the chorus are well-designed, I think, and thicken things in a really good way.

Despite the niggles, I find myself warming to this mix a lot, which means that long-term dynamics issues become more of an issue relatively speaking. I find myself wishing that the choruses filled out a bit more, that the second mid-section was rebalanced to smooth out the tone a little, and that the final chorus had some trick up its sleeve to avoid the otherwise almost inevitable arrangement letdown. I think compression/reverb and overhead/room rides are the order of the day here. (Here's a leftfield thought for anyone feeling adventuresome, though: what about doubling the final chorus, and making the first one a drop-chorus? That would negate the need for the final chorus entry to sound bigger than mid-section 2, and would allow the second final chorus to arrive with a bigger subjective bang, even if it included no extra parts... ;))

Anyway, thanks for putting this one together Minorhead -- it's a really strong submission, not least because it's upped the ante on that snare sound.


Hey Mike, thank's for that.
Listening back on my focals, you're spot on.
It was a late night headphone mix and oh what can u do!
Cheers

2
Mixoff Contests / minorhead mix up!
« on: March 27, 2011, 03:24:24 AM »
This is my mix.

You can find a no-limiter version here.

Thank's
Enjoy!

3
Forum Suggestions / MixOFF.org New Logo!
« on: March 11, 2011, 04:14:17 AM »
Nice to find you all.
Just took some time to make a cool little logo and say good luck to the forum!
 :)







Cheers

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